"When Grace and Frankie premiered in 2015, it lulled viewers into something of a false sense of security," says Rachael Sigee of the Netflix comedy that concluded its 94-episode run on Friday. "Appearing to be a cozy sitcom about the older generation, it offered a classic farcical setup: a hasty odd-couple arrangement, with each woman refusing to move out of a shared beach house. The stage was set for gags about older people misbehaving. Those gags are certainly in there but, more important, so is a revolutionary narrative of women finding meaningful relationships beyond their familial structures. " Sigee adds: "Grace and Frankie took women who already knew themselves (or thought they did) and proved that the platonic enmeshing of two lives can happen at any age. These are women acquainted for 40 years, for the entirety of which they have failed to see eye to eye. But it is only at the age when they are becoming invisible to the wider world that Grace and Frankie finally see one another in vibrant color. And so there is a sense of urgency: time is not on their side. This is not a friendship built on hopes for the future but on making the most of the present (and sense of the past). It is true that this is a show about extremely wealthy white women but, in many ways, it is that level of privilege that allowed Grace and Frankie to home in on age as its primary antagonist."
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TOPICS: Grace and Frankie, Netflix, Jane Fonda, Lily Tomlin, Marta Kauffman, Series Finales