"Whereas the first season focused on the implicit queer magnetism between the leads, the second season makes it obvious — even to the straights," says Natalie Adler. "Every secondary character intrudes on their attraction, prying, 'What is going on with you and Villanelle?' 'What is going on with you and Eve?' I have the same questions, but now that the show is so self-aware of its central tension, the quotation marks have been edited out, and the thrill of it all is gone."
TOPICS: Killing Eve, BBC America, LGBTQ